| 1955 | born in Chicago |
| lives and works in New York | |
| 2008 | Christopher Wool, Luhring Augustine Gallery, New York Christopher Wool, Galerie Micheline Szwajcer, Antwerp, Belgium |
| 2007 | Christopher Wool, Galerie Max Hetzler, Berlin |
| Christopher Wool, Skarstedt Gallery, New York | |
| 2006 | Christopher Wool, Livres d'artiste, affiches et stampes, Christophe Daviet-Thery, Paris |
| Christopher Wool, IVAM, Instituto Valenciano de Arte Moderno, travelling to Musée d'Art contemporain de Strasbourg | |
| Christopher Wool, Gagosian Gallery, Los Angeles | |
| Christopher Wool, Simon Lee, London | |
| 2005 | Christopher Wool, Gio Marconi, Christian Stein, Milano |
| 2004 | Galerie Micheline Swajcer, Antwerpen |
| Christopher Wool 2004, Camden Arts Centre, London | |
| Luhring Augustine Gallery, New York | |
| Taka Ishii Gallery, Tokyo | |
| 2003 | Crosstown Crosstown, Dundee Contemporary Arts, Dundee, UK (cat.) |
| Galerie Gisela Capitain, Cologne | |
| 2002 | Le Consortium, Dijon |
| Galerie Max Hetzler, Berlin | |
| 2001 | Secession, Vienna |
| Galerie Micheline Szwajcer, Antwerpen | |
| 9th Street Run Down, Luhring Augustine Gallery, New York | |
| 11, Duke Street Gallery, London | |
| 2000 | Black Book Drawings, Skarstedt Fine Arts, New York |
| Eleni Koroneou, Athens | |
| Galerie Micheline Szwajcer, Antwerp | |
| 1999 | Centre d'Art Contemporain, Geneva |
| 1998 | Museum of Contemporary Art Los Angeles, traveling to |
| Carnegie Museum of Art, Pittsburgh | |
| Heinz Galleries, Pittsburgh | |
| Kunsthalle Basel, Basel | |
| Galerie Max Hetzler, Berlin | |
| Ophius Collection, The Hydra Workshop, Greece | |
| 1997 | Eleni Koroneou Gallery, Athens |
| Luhring Augustine Gallery, New York | |
| Taka Ishi Gallery, Tokio | |
| Portfolio Kunst AG, Vienna | |
| 1996 | Galerie Gisela Capitain, Cologne |
| 1995 | Luhring Augustine Gallery, New York |
| Galerie Samia Saouma, Paris | |
| 1994 | Bruno Brunnet, Berlin |
| 1993 | Galerie Max Hetzler, Cologne |
| 1992 | Eli Broad Family Foundation |
| Galerie Peter Pakesch, Vienna | |
| Galerie Gisela Capitain, Cologne | |
| Luhring Augustine Gallery, New York | |
| 1991 | Boijmans Van Beuningen, Rotterdam |
| Kölnischer Kunstverein, Cologne | |
| Luhring Augustine Gallery, New York | |
| Kunsthalle Bern, Bern | |
| 1990 | Daniel Weinberg Gallery, Los Angeles |
| Galerie Christian Stein, Torino | |
| Works on Paper, Luhring Augustine Gallery, New York | |
| 1989 | Monotypes, Edition Julie Sylvester, New York |
| New York: Christopher Wool, San Francisco Museum of Modern Art, San Francisco | |
| Galerie Max Hetzler, Cologne | |
| 1988 | Jean Bernier, Athens |
| Luhring, Augustine & Hodes Gallery, New York | |
| Galerie Gisela Capitain, Cologne | |
| 1987 | Luhring, Augustine & Hodes Gallery, New York |
| 1986 | Cable Gallery, New York |
| Robbin Lockett Gallery, Chicago | |
| 1984 | Cable Gallery, New York |
| 2008 | Always There, Part 2, Galerie Max Hetzler, Berlin Psychopts: Richard Hell & Christopher Wool, Glenn Horowitz Bookseller and Art Gallery, New York Oranges and Sardines: Conversation on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl and Christopher Wool, Hammer Museum, Los Angeles |
| 2007 | Degree Zero, Richard Telles Fine Art, Los Angeles |
| For the people of Paris, Sutton Lane, Paris | |
| on paper, Amerikanische Zeichnung ab 1960, Gesellschaft für Gegenwartskunst e.V., Augsburg | |
| Künstlerplakate, Von Picasso bis heute, Seedamm Kulturzentrum, Pfäffikon SZ, Käthe Kollwitz Museum Köln, Cologne | |
| Part II, Christopher Wool & Josh Smith, Gallery&: Christophe Daviet-Thery, Paris | |
| Prints, Albert Oehlen Christopher Wool, New York | |
| Painting as Fact – Fact as Fiction, Galerie de Pury, Luxemburg, Zurich | |
| Künstlerplakate, Von Picasso bis heute, Seedamm Kulturzentrum, Pfäffikon SZ, Käthe Kollwitz Museum Köln, Cologne | |
| 2006 | Defamation of Character, P.S.1 MoMA, New York |
| Make Your Own Life: Artists In & Out of Cologne, Institute of Contemporary Art, University of Pennsylvania, The Power Plant, Toronto | |
| Artist in Residence, The Chinati Foundation, Judd Foundation, Marfa, Texas | |
| Color Aside, Luhring Augustine, New York | |
| 2005 | The Continuous Mark: 40 Years of the New York Studio School, Studio School, New York |
| Works on Paper, Galerie Max Hetzler, Berlin | |
| Contemporary Voices: Works from the UBS Art Collection, Museum of Modern Art, New York | |
| Big Bang, Creation and Destruction in the 20th Century, Pompidou Center, Paris | |
| Translation, Palais de Tokyo, Paris | |
| Baldessari, Prince, Ruscha, Wool, Perry Rubinstein Gallery, New York | |
| 2004 | Quodlibet, Galerie Daniel Buchholz, Cologne |
| Malerei, ZKM, Museum für neue Kunst/ZKM Karlsruhe, Karlsruhe | |
| Into the Night, P.S.1 Contemporary Art Cente | |
| Paintings, Gallery K, Oslo | |
| Monument To Now, The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens | |
| Nicole Klagsbrun, New York | |
| Taschen Collection Museo Nacional, Centro de Arte Reina Sofia, Madrid | |
| The Open Book, Hasselblad Center, Musuem of Art Goteborg, Sweden | |
| Trafic d'influences: Art & Design, (Collection Frac Nord - Pas de Calais), Tri Postal, Lille | |
| Power Corruption an Lies, Roth Horowitz, New York | |
| Ground - Field - Surface, Robert Miller Gallery, New York | |
| Indigestible Correctness II, Kenny Schachter/ROVE, New York, | |
| Disturbing the Peace, Danese Gallery, New York | |
| I am the Walrus, Cheim & Read, New York | |
| Pixels, Stellan Holm Gallery, New York | |
| Indigestible Correctness II, Kenny Schachter/ ROVE, New York | |
| Flower Power, Palais des Beaux-Arts et Musee de L’Hospice Comtesse, Lille, France | |
| Ice Hot, Recent Paintings from the Scharpff Collection, Hamburger Kunstalle; Staatsgalerie Stuttgart | |
| 2003 | A Way With Words, John Berggruen Gallery, San Francisco |
| Stranger in the Village: Contemporary Drawings and Photographs from the Museum of Modern Art, Guild Hall, East Hampton | |
| Family Ties. A Contemporary Perspective, Peabody Essex Museum, Salem, MA | |
| Visual Poetics: Art and the Word, Miami Art Museum, Miami | |
| The Great Drawing Show; 1550 - 2003 A.D., Michael Kohn Gallery, Los Angeles | |
| Not Afraid, Rubell Familly Collection, Miami | |
| Biennale d’Art Contemporain de Lyon 2003, Lyon (cat.) | |
| 2002 | The Broad Art Foundation, Santa Monica |
| A Thousand Hounds, Paine Webber Art Gallery, New York; | |
| Norton Museum of Art, West Palm Beach, FL | |
| Copy, Roth Horowitz, New York | |
| A New York Renaissance: Masterworks from the Collection of the Whitney Museum of American Art, Palazzo Reale, Milan | |
| Five by Five: Contemporary Artists on Contemporary Art, Whitney Museum of American Art at Philip Morris, New York | |
| Hello to Handmade Words, K.S. Art, New York | |
| Painting on the Move, Kunstmuseum Basel, Museum fur Gegenwartskunst Basel, and Kunsthalle Basel, Basel | |
| Ahead of the 21st Century- The Pisces Collection, Furstenberg Sammlungen, Donaueschingen | |
| To Be Looked At: Painting and Sculpture from the Collection, Museum of Modern Art, New York | |
| 2001 | W, Musée des Beaux-Artes, Dole |
| New Paintings, Sabine Knust, Munich | |
| Trauma, National Touring Exhibitons, Dundee Contemporary Arts, Dundee, UK | |
| New Acquisitions from the Dakis Joannou Collection, Deste Foundation, Center for Contemporary Art, Athens | |
| Christopher Wool, New Paintings, Herbert Brandl, Neue Bilder, Sabine Knust, Munich | |
| A Way with Words, Whitney Museum of American Art at Phillip Morris, New York | |
| Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, Odense, Denmark | |
| 2000 | Malerei, Luhring Augustine, New York |
| Galerie Charimklocker Ava-Hof (Hanuschplatz), Salzburg | |
| Patrick Painter Inc., Santa Monica | |
| On Language, Sean Kelly Gallery, New York | |
| La prima idea, Graphische Sammlung de ETH, Zurich | |
| Barbara Gladstone Gallery, New York | |
| Le Jeu des 7 Familles, mamco: Musee d'art moderne et contemporain, Geneve | |
| La Prima Idea: Aktuelle Malerei auf Papier, Graphische Sammlung der ETH Zurich | |
| Mixing Memory and Desire, New Museum of Art Lucerne, Lucerne | |
| The Swamp: On the Edge of Eden, University of Florida, Samuel P. Harn Museum of Art, Gainesville, FL | |
| To Infinity and Beyond, Brooke Alexander Gallery, New York | |
| Counter Editions at the Chelsea Hotel, New York | |
| Art at MoMA since 1980, MoMa, New York | |
| Malerei, Charim Klocker Wien, Austria | |
| 1999 | Malerei, INIT Kunst-Halle, Berlin |
| Free Coke, Greene Naftali, New York | |
| Art at the End of the Century - Contemporary Art from the Milwaukee Art Museum, Birmingham Museum of Art, Alabama | |
| Multiplicity, Angles Gallery, Santa Monica | |
| Silent Treatment: Projecting Narrative, Curated by Thea Westreich, Aspen Art Museum | |
| Collection Frac Nord-Pas de Calais, Een Keuze | |
| Visualizing Digiteracy: Considering Current Technologies, Memphis College of Art, TN | |
| Galerie Ghislaine Hussenot, Paris | |
| Bloom: Contemporary Art Garden, curated by Gianni Romano, Milan | |
| Reverse Impressions, City Gallery, New York, NY | |
| The Great Drawing Show 1550 to 1999, Kohn Turner Gallery, Los Angeles, CA | |
| The Passion and the Waves, 6th International Istanbul Biennial, Istanbul | |
| 1998 | Real Stories, Marianne Boesky Gallery and Friedrich Petzel Gallery, New York |
| Exterminating Angel, Galerie Ghislaine Hussenot, Paris | |
| Exploiting the Abstract, Feigen Contemporary, New York | |
| Weather Everything, Galerie für Zeitgenössische Kunst, Leipzig | |
| Double Trouble: The Patchett Collection, Museum of Contemporary Art, San Diego | |
| Elements of the Natural, Museum of Modern Art, New York | |
| Scratches on the Surface of Things - Acquisitions of Contemporary American Art, Boijmans Van Beuningen, Rotterdam | |
| Harriet Craig, Curated by D. Rimanelli, Apex Art C.P., New York | |
| Die Parkett-Kunstlereditionen im Museum Ludwig, Museum Ludwig, Cologne | |
| The Patchett Collection, Museum of Contemporary Art, San Diego | |
| Six Americans, Skarstedt Fine Art, New York | |
| Luhring Augustine, New York | |
| 1997 | Birth of the Cool, Amerikanische Malerei, Deichtorhallen, Hamburg |
| Hamburg, Kunsthaus Zürich, Zurich | |
| American Realities. Views from Abroad: European Perspectives | |
| on American Art 3, Whitney Museum of American Art, New York | |
| Painting Photography Drawing, Anton Kern Gallery, New York | |
| Group Show, Galerie Samia Saouma, Paris | |
| Serial Imagery, Kohn Turner Gallery, Los Angeles | |
| Family Values, Hamburger Kunsthalle, Hamburg | |
| On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, Museum of Modern Art, New York | |
| 1996 | Peinture - Peinture, Galerie Samia Saouma, Paris |
| Thinking Print Books to Billboards 1980-95, The Board of Trustees, Museum of Modern Art, New York | |
| New Art on Paper, 2, Philadelphia Museum of Art, Pennsylvania | |
| Screen, Friedrich Petzel Gallery, New York | |
| Kingdom of Flora, Shoshana Wayne Gallery, Santa Monica | |
| Fellows of the American Academy in Rome, The Equitable Center, New York | |
| The Sense of Order, Museum of Modern Art, Ljubljana, Slovenia | |
| Gray Matter, Mark Moore Gallery, Santa Monica | |
| Cenas Domesticas, Modulo, Lisbon | |
| Art at Home, Ideal Standard Life, Spiral Gallery 1F, Tokyo | |
| Everything That's Interesting Is New: The Dakis Joannou Collection, Athens School of Fine Arts the factory, Athens; Museum of Modern Art, Copenhagen; Guggenheim Museum SoHo, New York | |
| 1995 | 25 Americans: Painting in the 90's, Milwaukee Art Museum, |
| Notes on Print with and after Robert Morris, Cabinet des | |
| estampes du Musée d'art et d'histoire, Geneva | |
| Duck, Edward Thorp Gallery, New York | |
| 100 Works on Paper, Galerie de la Tour, Amsterdam | |
| Galleria Alessandra Bonomo, Rome | |
| Pittura Immedia, Neue Galerie am Landesmuseum Joanneum und Künstlerhaus Graz | |
| Articulations: Forms of Language in Contemporary American Art, The Whitney Museum, New York | |
| James Nares & Christopher Wool, Kohn Turner Gallery, Los Angeles | |
| XL, Galerie Borgmann Capitain, Cologne | |
| Luhring Augustine, New York | |
| Malerei, Galerie Max Hetzler, Berlin | |
| Wallpaper Works, Contemporary Arts Museum, Houston, Texas | |
| Made in U.S.A. - Original works on Paper, Bob van Orsouw Gallery, Zurich | |
| Images Against AIDS, Art Metropole, Toronto | |
| Drawing on Chance: Selections from the Collection, Museum of Modern Art, New York | |
| 1994 | Herbert Brandl, Albert Oehlen, Christopher Wool, National Gallery, Prague |
| Empty Dress, Organized by Independent Curators International, traveling to: Neuberger Museum, Virginia Beach Center for the Arts, University if North Texas, Mackenzie Art Gallery, The Gallery/Stratford, Selby Gallery | |
| The Museum of Modern Art; Martin Kippenberger, director; Syros, Greece | |
| Gallerie K, Oslo | |
| Lousy Fear, Randolph Street Gallery, Chicago | |
| Ossuary, Luhring Augustine, New York | |
| Contemporary Art from the Collection of the Migros Cooperatives, Museo Cantonale d'Arte, Lugano, Switzerland | |
| Gift, The InterArt Center, New York | |
| Supershadows of Understatement: Christopher Wool and Ulli Strothjohann, Eleni Koroneou Gallery, Athens | |
| Some Like It Cool, Barbara Krakow Gallery, Boston | |
| On Paper, Schmidt ContemporaryArt, St. Louis | |
| Ground, Museum Boymans-van Beuningen, Rotterdam | |
| Violence/Business-Gewalt/Geschafte, Neue Gesellschaft für Bildende Kunst, Berlin | |
| 1993 | The Language of Art, Kunsthalle Wien; Frankfurter Kunstverein, Frankfurt/M. |
| Works by Younger Artists from the Collection of Richard Brown Baker, The Century Association, New York | |
| Zeitsprunge: Collection of Rudolf und Ute Scharpff, Wilhelm-Hack Museum, Ludwigshafen | |
| The Brushstrike: Painting in the 90's, Ruth Bloom Gallery, Santa Monica | |
| Gober, Kelley, Kippenberger, Koons, Sherman, Wool, Galerie Schurr, Stuttgart | |
| Reading Prints, The Museum of Modern Art, New York | |
| 20th Anniversary Exhibition Part II, Daniel Weinberg Gallery, Santa Monica | |
| Black & White, Schmidt Contemporary Art, St. Louis | |
| Barbara Krakow Gallery, Boston | |
| Drawing the Line Against AIDS, The Peggy Guggenheim Collection, Venice; The Guggenheim Museum SoHo, New York | |
| New York Painters, Sammlung Goetz, Munich | |
| 1992 | documenta IX, Kassel |
| Allegories of Modernism: Contemporary Drawing, Museum of Modern Art, New York | |
| Works on Paper: Forg, Gonzalez-Torres, Kilimnik, Kippenberger, Nares, Oehlen, Pensato, Prina, Wool, Luhring Augustine, New York | |
| Herold, Oehlen, Wool works on paper, Jack Hanley Gallery, San Francisco | |
| Luhring Augustine, New York | |
| Fifth Anniversary Show, Karsten Schubert Ltd., London | |
| Somewhere Between Image & Text, Barbara Krakow Gallery, Boston | |
| Prints in Portfolios, Susan Sheehan Gallery, New York | |
| Dark Decor, Organized by Independent Curators Inc.; DePree Art Center, Hope College, Netherlands, MI; San Jose Museum of Art, San Jose, CA; Florida Gulf Coast Art Center, Belle, FL; The Monmouth Museum, Lincroft, NJ; The Illingworth Kerr Gallery, Alberta College of Art, Calgary | |
| The Word-Image in Contemporary Art, The James Howe Gallery, Kean College of New Jersey | |
| Gober, Kawara, Kelley, Kippenberger, Koons, Oehlen, Schnabel, Sherman, Struth, Taaffe, Wool, Galerie Max Hetzler, Cologne | |
| Landscape Untitled: Halley, Oehlen, Wool, Galerie Senda, Barcelona | |
| Drawings, Stuart Regen Gallery, Los Angeles | |
| Robbin Lockett, Chicago | |
| Slow Art: Painting in New York Now, P.S.1 Museum, New York | |
| Dirty Data: Collection of Wilhelm Schurmann, Ludwig Forum fur internationale Kunst, Aachen | |
| Ars Pro Domo: Contemporary Art from Koln Private Collections, Museum Ludwig, Cologne | |
| Drawn in the Nineties, traveling exhibition organized by ICI; Katonah Museum of Art, Katonah; Fine Arts Gallery, Indiana University, Bloomington; Illingworth Kerr Art Gallery, Alberta College of Art, Calgary; Huntsville Museum of Art, Huntsville, AL | |
| Oh! Cet Echo, Centre Culturel Suisse, Paris | |
| Plakate, Grazer Kunstverein, Graz | |
| Spielholle, Akademie der Kunste und Wissenschaften, Frankfurt/M.; Grazer Kunstverein, Graz; Galerie Sylvana Lorenz, Paris | |
| Multiplicity: An Exhibition of Recent Editions, Thea Westreich, New York | |
| 1991 | Metropolis, Martin Gropius Bau, Berlin |
| Strange Abstraction, The Touko Museum of Art, Tokyo | |
| 51st Carnegie International, Carnegie Museum of Art, Pittsburg | |
| New American Art: Mary Beyt, Greg Colson, Christopher Wool, Ho Gallery World Art, Hong Kong | |
| Gulliver's Travels, Galerie Sophia Ungers, Cologne | |
| Words & #'s, Wright State University, Dayton, OH | |
| Herbert Brandl, Albert Oehlen, Christopher Wool, Galerie Peter Pakesch, Vienna | |
| Drawing Acquisitions, 1980-1991: Selections from the Permanent Collection, Whitney Museum of American Art at Philip Morris, New York | |
| Druckgrafik, Galerie Gisela Capitain, Cologne | |
| American Artists of the Eighties, Palazzo delle Albere, Trento, Italy | |
| Selections from the Elaine and Werner Dannheisser Collection: Painting and Sculpture From the 80's and 90's, The Parrish Art Museum, East Hampton, NY | |
| At the end of the day, Randy Alexander Gallery, New York | |
| Museum of Natural History, Galerie Barbara Farber, Amsterdam | |
| 1990 | Michael Craig-Martin, Gary Hume, Christopher Wool, Karsten Schubert Ltd., London |
| New Work: A New Generation, San Francisco MoMA, San Francisco | |
| Stephen Prina, Sam Samore, Christopher Wool, Galerie Ursula Schurr, Stuttgart | |
| Drawings, Luhring Augustine Hetzler, Santa Monica | |
| American Geometric Abstraction and Other Works from the Richard Brown Baker Collection, Yale University Art Gallery, New Haven | |
| Language in Art, Aldrich Museum of Contemporary Art, Ridgefield, CT | |
| Donald Baechler, Gunther Forg, Georg Herold, Martin Kippenberger, Jeff Koons, Albert Oehlen, Julian Schnabel, Terry Winters, Christopher Wool, Galerie Max Hetzler, Cologne | |
| In the Beginning..., Cleveland Center for Contemporary Art, Cleveland | |
| 1989 | Horn of Plenty, Stedelijk Museum, Amsterdam |
| Herold, Oehlen, Wool, The Renaissance Society, University of Chicago, Chicago | |
| Whitney Biennal, Whitney Museum of American Art, New York | |
| Gober, Halley, Kessler, Wool; Four Artists From New York | |
| Kunstverein München, Munich | |
| 1988 | Robert Gober and Christopher Wool, An installation, 303 Gallery, New York |
| The BiNational - American Art of the Late 80's, ICA & MFA Boston; Städtische Kunsthalle Düsseldorf; Kunstverein Bremen; Institute of Arts, Minneapolis | |
| James Casebere, Stephen Prina, Christopher Wool, Robbin Lockett Gallery, Chicago | |
| Six Americans, Bleckner, Halley, Levin, Taaffe, Wool, Welling, Galerie Lelong, New York | |
| A Drawing Show, Cable Gallery, New York | |
| Een keuze/A Show, Amsterdam | |
| Information as Ornament, Feature Gallery, Chicago; Rezac Gallery, Chicago | |
| The Light from the Other Side, Monika Spruth Galerie, Cologne | |
| Bickerton, Gober, Halley, Koons, Prince, Vaisman, Wool, Daniel Weinberg Gallery, Los Angeles | |
| 1987 | Painting, Abstraction Rediscovered, Rosa Esman Gallery, New York |
| Jamie Wolff Gallery, New York | |
| Ange Leccia, Christopher Wool, Cable Gallery, New York | |
| Alexander, Bolande, Ebner, Kane, Wool, Robbin Lockett Gallery, New York | |
| New Territories in Art Europe/America, Michetti Foundation, Chieti, Italy | |
| Johnson, Tasset, Wool, Kuhlenschmidt/Simon, Los Angeles | |
| Facture, Laurie Rubin Gallery, New York | |
| Industrial Icons, University Art Gallery, San Diego State University, San Diego | |
| Drawn Out, Kemper Gallery, Kansas City Art Institute, Kansas City | |
| A Decade of American Drawings 1980-1989, Daniel Weinberg Gallery, Los Angeles | |
| 1986 | Inaugural Exhibition, Robbin Lockett Gallery, Chicago |
| The Gallery Show, Exit Art, New York | |
| The Hidden Surface, Middendorf Gallery, Washington D.C. | |
| Signs of Painting, Donald Young Gallery, Chicago | |
| Fortuyn/O'Brien, Lemieux, Mullican, Wool, Luhring, Augustine & Hodes Gallery, New York | |
| Fabricated, Not Found, Loughelton Gallery, New York | |
| 1985 | AIDS Benefit, Daniel Weinberg Gallery, Los Angeles |
| Painting, Sculpture, Photography, Cable Gallery, New York | |
| Factura, Gallery Schlesinger-Boisante, New York | |
| Botts, Lee, Miller, Wool, Barbara Toll Fine Arts, New York | |
| Stigmata, Bond Street Gallery, New York | |
| Drawings 1975-1985, Barbara Toll Fine Arts, New York | |
| Apfelschnitt, Bills, Chamberlain, Lucas, Nares, Wool, Anne Plumb Gallery, New York | |
| 1984 | Group Show, Paula Cooper Gallery, New York |
| Chill Out New York, Kenkeleba Gallery, New York | |
| Drawings, Barbara Toll Fine Arts, New York | |
| Sex, Cable Gallery, New York | |
| Saloon Salon, Bill Rice Gallery, New York | |
| 1983 | Big American Figure Drawings, Visual Arts Museum, New York |
| Abbott, Fink, Lieber, Wool, Delahunty Gallery, New York | |
| Selected Drawings, Jersey City Museum, New Jersey | |
| 1982 | Group Exhibition, White Columns, New York |