Born in Havana, Cuba, 1963.
Lives and works in Los Angeles
BFA Art Center College of Design, Pasadena, CA
University of Illinois at Chicago
| 2008 | Galerie Gisela Capitain, Cologne Los Angeles County Museum of Art (LACMA), Los Angeles Jorge Pardo, Haunch of Venison, London |
| 2007 | Jorge Pardo: House, Museum of Contemporary Art, North Miami Jorge Pardo, Lighthouse – Instllatie Van, Museum Boijmans Van Beuningen, Rotterdam Jorge Pardo, Galeria Elba Benitez, Madrid Jorge Pardo, I love my wife, Neugeriemschneider, Berlin Jorge Pardo, Friedrich Petzel Gallery, New York |
| 2006 | Jorge Pardo, Galerie Meyer Kainer, Vienna |
| Jorge Pardo, Friedrich Petzel Gallery, New York | |
| Jorge Pardo, Gio Marconi, Mailand | |
| Jorge Pardo, Galerie Meyer Kainer, Vienna | |
| 2005 | Jorge Pardo - Las Vegas, Galerie Neugerriemschneider, Berlin |
| Jorge Pardo, Haunch of Venison, Zurich | |
| Jorge Pardo, Galerie Gisela Capitain, Cologne | |
| 2004 | Jorge Pardo, Friedrich Petzel Gallery, New York |
| Jorge Pardo, 1301 PE, Los Angeles | |
| Jorge Pardo, Collecion Fundació "la Caixa", Barcelona | |
| 2003 | Galerie Ghislaine Hussenot, Paris |
| Jorge Pardo, Gagosian Gallery, Beverly Hills | |
| Prototype, Dia Art Foundation, New York | |
| Haunch of Venison, London | |
| Galerie Gisela Capitain, Cologne | |
| Gio Marconi, Milano | |
| 2002 | Le Consortium, Dijon |
| Museum Dhondt-Dhaenens, Deurle | |
| China Art Objects, Los Angeles | |
| 1301PE, Los Angeles | |
| Neugerriemschneider, Berlin | |
| Taka Iishi, Tokyo | |
| Gio Marconi, Berlin | |
| PKM, Seoul | |
| Galerie Meyer Kainer, Vienna | |
| Public Art Fund Project, Madison Square Park, New York | |
| 2001 | Galerie Ghislaine Hussenot, Paris |
| Galerie Gisela Capitain, Cologne | |
| Montblanc Kulturstiftung, Hamburg | |
| Friedrich Petzel Gallery, New York | |
| 2000 | Dia Art Foundation, New York |
| Kunsthalle Basel (cat.) | |
| Galeria Marta Cevera, Madrid | |
| Brian Butler, 1301 PE, Los Angeles | |
| 1999 | The Fabric Workshop, Philadelphia |
| Royal Festival Hall, London (cat.) | |
| Neugerriemschneider, Berlin | |
| Swish I’m a Fish, Museum Abteiberg. Mönchengladbach (cat.) | |
| Brian Butler, 1301 PE, Los Angeles | |
| 1998 | Jorge Pardo. 4166 Sea View Lane, Museum of Contemporary Art, Los Angeles (cat.) |
| Ghislaine Hussenot/Phillipe Rizzo, Brussels | |
| Patrick Painter, Santa Monica | |
| Baby Blue, Galerie Gisela Capitain, Cologne | |
| Wool, Cotton, Latex, Wax & Steel, Friedrich Petzel Gallery, New York | |
| Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg | |
| 1997 | Lighthouse, Museum Boijmans Van Beuningen, Rotterdam |
| Museum of Contemporary Art, Chicago (cat.) | |
| Garnish and Landscape (w/ Tobias Rehberger), Gesellschaft fuer Gegenwartskunst, Augsburg (cat.) | |
| 1996 | It Hangs Out There, Friedrich Petzel Gallery, New York |
| Neugerriemschneider, Berlin | |
| 1995 | Nafta, Tom Solomon's Garage, Los Angeles |
| Borgmann Capitain Gallery, Cologne | |
| 1994 | Zeichnungen, neugerriemschneider, Berlin |
| One Component of the Work Is That the Show Will Have Many Titles, One of Them Being: MoCA.Three Prints Per Second, Friedrich Petzel/ Nina Borgmann, New York | |
| 1993 | Person's Weekend Museum, Tokyo (cat.) |
| Tom Solomon's Garage, Los Angeles | |
| 1992 | Terrain Gallery, San Francisco |
| 1991 | Luhring Augustine Hetzler, Santa Monica |
| 1990 | Tom Solomon's Garage, Los Angeles |
| Petersburg Gallery, New York | |
| 1988 | Bliss Gallery, Pasadena |
| 2008 | Abstrakt / abstract, Museum Moderner Kunst Kaernten, Klagenfurt, Austria |
| 2007 | Köln Skulptur 4, Skulpturenpark Köln Rooms with a View: Environments for Video, Guggenheim Museum, Soho Idylle, Domus Artium 2002, Salamanca, National Gallery, Prague Manipulations, Centre for Contemporary Art, Warsaw on paper, Amerikanische Zeichnung ab 1960, Gesellschaft für Gegenwartskunst e.V., Augsburg The Lath Picture Show, Friedrich Petzel Gallery, New York |
| 2006 | Idylle Traum und Trugschluss, Sammlung Falckenberg, Hamburg-Harburg Manipulacje, Laznia Centre for Contemporary Art, Danzig This is not for you, Thyssen-Bornemisza Art Contemporary, Vienna all hawaii eNtrees, Irish Museum of Modern Art, Dublin |
| 2005 | Colours and Trips, Kunsthaus Bregenz, Museum der Stadt Ratingen |
| Fairy Tales Forever, Aarhus Kunstmuseum, Arhus | |
| View Eight: A Few Domestic Objects Interrogate a Few Works of Art, curated by Bruce Ferguson, Mary Boone Gallery, New York | |
| THINK BLUE, Blum&Poe, Los Angles | |
| 'Kiss The Frog' - The Art of Tranformation, Nasjongalleriet, Oslo | |
| 2004 | 26th Bienale de Sao Paulo, Fundacao Bienal de Sao Paulo |
| Trans/Migrations: Graphics as Contemporary Art, San Juan Poly/Grapic Triennial, Old San Juan | |
| Nothing Compared to This, Contemporary Arts Center, Cincinnati | |
| Off the Wall, Bruce Museum, Grennwich | |
| North Fork/Sourth Fork: East End art Now, Parrish Art Museum, Southhampton | |
| Design Art, Smithsonian Cooper- Hewitt, National Design Museum, New York | |
| Taka Ishii Gallery, Tokyo | |
| Jewish Museum, San Francisco; Laguna Art Museum, Laguna; Institute of Contemporary Arts, London | |
| Contemporary Art Center of Virginia, Virginia Beach, Albright College Freedman Art Gallery, Reeding Cheekwood Museum of Art, Nashville | |
| 2003 | On The Wall, The RISD Museum, Rhode Island |
| 100 Artists See God, ICA, New York | |
| Jessica Stockholder: "Table Top Sculpture", Gorney, Bravin + Lee, New York | |
| Gio Marconi, Milano | |
| I Moderni//The Moderns, Castello di Rivoli Museo d'Arte Contemporanea, Rivoli (Torino) | |
| On The Wall, The RISD Museum, Rhode Island | |
| It Happened Tomorrow, Lyon Biennale | |
| Flower Power, Palais des Beaux-Arts, Lille | |
| 2002 | Jorge Pardo, Philippe Parreno, 1301PE, Los Angeles |
| Touch: Relational Art from the 1990s to Now, San Francisco Art Institute | |
| Refraction, Jorge Pardo and Gerhard Richter, | |
| Dia Center for the Arts, New York | |
| No Return, Sammlung Haubrok, Städtiches Museum Abteiberg, Mönchengladbach, | |
| Liverpool Biennial, Liverpool (cat.) | |
| Busan Biennale 2002: Culture meets culture, Busan, Korea | |
| 2001 | Active Ingredients, Copia, American Center for Food Wine & the Arts, CA. |
| Reverb, Jorge Pardo and Gilberto Zorio, Dia Center for the Arts, New York | |
| Beautiful Productions, The Whitechapel Art Gallery, London | |
| Comfort, curated by Kristin Chambers, Cleveland Center for Contemporary Art | |
| Public Offerings, Museum of Contemporary Art, Los Angeles | |
| KolnSkulpture3, curated by Dr. Michael Stoffel, September 2001, Skulpturenpark Köln, Cologne | |
| In Between: Art and Architecture, MAK Center for Art and Architecture, Los Angeles | |
| The Beauty of Intimacy, Lens and Paper, Gemeentemuseum Den Haag | |
| Beau Monde: Toward a Redeemed Cosmopolitanism: | |
| SITE Santa Fe Fourth International Biennal, Santa Fe | |
| Collaborations with Parkett, 1984 to Now”, Museum of Modern Art, New York | |
| 2000 | Made in California: Art, Image and Identity, Los Angeles County Museum of Art |
| 1989, curated by Ilene Kurtz, David Kiehl & Patrick Moore, Curt Marcus Gallery, New York | |
| Talleres: Art from the Guadalajara Workshops, Mexican Cultural Institute | |
| Threads of Dissent, The Fabric Workshop, Philadelphia | |
| Against Design, curated by Steven Beyer, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Palm Beach Institute of Contemporary Art, Museum of Contemporary At, San Diego, Kemper Museum of Contemporary Art, Kansas City, MO | |
| Double Space, curated by A.S. Bessa, Apex Art Curatorial Program, New York | |
| Objecthood 00, Rethymnon Centre for Contemporary Art, Rethymnon | |
| Strange Paradise, Casino Luxembourg | |
| Quotidiana, Castello di Rivoli, Torino | |
| Rags to Riches, curated by Petra Bungert and Alexandra Dimentieva, Center for Contemporary Non-Objective Art, Brussels (cat.) | |
| What If, Moderna Museet, curated by Maria Lind and Liam Gillick, Stockholm | |
| Quiet Life, Blickle Stiftung | |
| Fast Forward, Kunstverein Hamburg | |
| Strange Paradise, Casino Luxembourg | |
| 1999 | Threads of Dissent, The Isabella Stewart Gardner Museum, Boston |
| Objecthood 00, Hellenic American Union, Athens | |
| Comfort Zone: Furniture by Artists, curated by Amy Wolf, The Public Art Fund, PaineWebber Art Gallery (brochure) | |
| Jorge Pardo (with Bob Weber), China Art Objects, Los Angeles | |
| Drawn by…, Metro Pictures, New York | |
| Talleres: Art From Guadalajara Workshops, curated by Carlos Ashida, Track 16 Gallery, Santa Monica | |
| DConstructivism: life back in to art, Brisbane Convention and Exhibition Center | |
| Wonder world – notes for a solid collection, Newsantandrea, Savona | |
| Konstruktionszeichnungen, Kunst-Werke, Berlin | |
| 1998 | Light X Eight: The Hanukkah Project, Jewish Museum, New York |
| Richard Hawkins/Jorge Pardo, Brent Petersen Gallery, Los Angeles | |
| Chaos, Control, Chaos, Control You Like? You Like, curated by Anne Lemieux, Elias Fine Art, Boston | |
| artranspennine, with Langlands and Bell, Atelier van Lieshout and Francois Quardon, The Henry Moore Institute, Leeds, curated by Penelope Curtis (cat.) | |
| Dad´s Art, neugerriemschneider, Berlin | |
| Grazer Kunstverein | |
| FAST FORWARD "archives", Hamburger Kunstverein, Hamburg | |
| Fast Forward / Body Check, Kunstverein Hamburg | |
| Works for the Ideal Home, Art Metropole, Toronto | |
| Scratches on the surface of things, Museum Boijmans Van Beuningen | |
| Marienhof - Konzepte der Kunst, Rathaus, München | |
| Kunst für Bundestagsneubauten, Deutscher Bundestag, Berlin | |
| Jason Meadows/ Jorge Pardo, Brent Petersen Gallery, Los Angeles | |
| Mai '98, Kunsthalle Köln, Cologne (cat.) | |
| Minis, Midis & Maxis, Künstlerhaus Palais Thurn und Taxis, Bregenz | |
| 1997 | Angel Hair EX. LA., Dogenhaus Galerie, Leipzig |
| Check in, Museum für Gegenwartskunst, Basel | |
| Hospital, Galerie Max Hetzler, Berlin | |
| Kunst..Arbeit, Aus der Sammlung SudWest LB, Stuttgart (cat.) | |
| KölnSkulptur 1, Cologne (cat. pp. 122-125) | |
| Kevin Appel, Francis Cape, Jorge Pardo, Janice Guy, New York, curated by Margaret Murray | |
| Assuming Positions, Institute of Contemporary Art, London (cat.) | |
| Home Sweet Home, Deichtorhallen, Hamburg (cat.) | |
| Rooms With a View. Environments for Videos, Guggenheim Museum Soho, New York, curated by Nancy Spector (including Vito Acconci, Angela Bulloch, and Dan Graham) | |
| Laying Low: Postminimalism/Scatter Art, Kunstnernes Hus, Oslo, Norway (cat.) | |
| Bastards of Modernity, Angles Gallery, Santa Monica | |
| Skulptur. Projekte in Munster 1997(cat.) | |
| Cruising L.A., Galeria Soledad Lorenzo, Madrid (cat.) | |
| 1996 | True.BLISS, Los Angeles Contemporary Exhibitions (cat.) |
| Just Past: Contemporary and Permanent Collection 1975-1996, MoCA Los Angeles | |
| Richard Telles Gallery, Los Angeles (with Jim Iserman) | |
| Friedrich Petzel Gallery, New York | |
| Ab Fab, feature inc, New York | |
| Blum & Poe, Santa Monica | |
| Defining the 90’s, Museum of Contemporary Art, Miami (cat.) | |
| Projekte/Projects:Art at the New Trade Fair of Leipzig, Leipzig (cat.) | |
| Multiple Pleasure, Tanya Bonakdar Gallery, New York | |
| Dark Memories Hovering, Marc Foxx Gallery, Santa Monica | |
| Traffic, CAPC Musee d’Art Contemporain, Bordeaux, France (cat.) | |
| le labyrinthe moral, Centre d’Art Contemporain, Dijon | |
| nach Weimar, Kunstsammlung zu Weimar, Weimar (cat.) | |
| wunderbar, Hamburger Kunstverein, Hamburg (cat.) | |
| Faustrecht der Freiheit: Sammlung Volkmann, Kunstsammlung Gera | |
| Alle Neune, ACC Galerie, Weimar | |
| groupshow, Friedrich Petzel Gallery, New York | |
| Ranch, Peter Strauss Ranch, Santa Monica | |
| Jim Iserman, Jorge Pardo, Richard Telles Fine Art, Los Angeles | |
| Affairs, Institut für Gegenwartskunst, Wien | |
| Der Umbau Raum, Künstlerhaus Stuttgart, Stuttgart | |
| Legende I, Museet for Samtidskunst, Roskilde | |
| Blum & Poe, Los Angeles, USA | |
| Ab Fab, feature inc., New York | |
| 1995 | Affairs, Institut fuer Gegenwartskunst, Wien |
| Hawaii, (with Pae White, Mitchell Kane, & Mythter), Friedrich Petzel Gallery, New York | |
| Alles was modern ist, Galerie Baerbel Graesslin, Frankfurt | |
| Dark Memories Hovering Below the Transparent Screen of the Present Will Project Images of Reality in Sharp Silhouette, to Create the Pleasurable Effect of a Double World, Marc Foxx, Santa Monica, CA | |
| Le Consortium, Dijon | |
| 1994 | filmcuts, neugerriemschneider, Berlin, Germany (video) |
| Das Ende der Avantgarde - Kunst als Dienstleistung, Sammlung Schuermann, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany (cat.) | |
| Saturday Night Fever, curated by Michael Cohen and Catherine Liu, Tom Solomon's Garage, Los Angeles | |
| Interdisciplinary, Woodbury University, Burbank | |
| Temporary Translation(s) - Kunst der Gegenwart und Fotografie – Sammlung Schuermann, Deichtorhallen Hamburg (cat.) | |
| Neue Moebel fuer die Villa, Villa Merkel, Esslingen | |
| Lost Paradise, Kunstraum Wien, Vienna | |
| Pure Beauty: Some Recent Work From Los Angeles, curated by Ann Goldstein, traveled to Museum of Contemporary Art, Los AngeleAmerican Center, Paris | |
| Backstage, Kunstmuseum Luzern | |
| Untitled Groupshow, Metro Pictures, New York. | |
| Love in the Ruins, Long Beach Museum of Art, Long Beach (cat.) | |
| Breakdown , MOCA ,San Diego (cat.) | |
| Museum auf Zeit, slide projections at Museum | |
| Fridericianum, Kassel | |
| 1993 | Backstage, Kunstverein Hamburg |
| Pardo- Segar- Rirkit Tiravanija- Tobier, 1301 Gallery, Santa Monica | |
| Displace Michael Cohen Gallery, New York | |
| Summer Group Exhibition, Anderson O'Day Gallery, London | |
| 11- Artists organized by Tim Neuger, Kunstlerhaus Bethanien, Berlin | |
| 6- Artists organized by Tim Neuger, Galerie Max Hetzler | |
| 1992 | Gallery Artists Group Show, Thomas Solomon's Garage, Los Angeles |
| Tele Mundo, Terrain Gallery, San Francisco | |
| Very, Very, Very... Shoshana Wayne Gallery, Santa Monica | |
| 5 Artists Summer Show, Terrain Gallery, San Francisco | |
| Mars Gallery, Tokyo | |
| Object/objet (with Stephen Berens, Elizabeth Bryant, Anne Walsh) | |
| El Camino College Art Gallery, Torrance | |
| California: North and South , Aspen Museum of Art, Aspen | |
| Art Center College of Design, Pasadena (cat.) | |
| 1991 | Phenon/Phenotype: A Group Therapy, Terrain Gallery, San Francisco |
| L.A. Times, curated by Jackie Christ, Boise Museum of Modern Art, Boise | |
| Facing the Finish, curated by John Caldwell and Robert Riley, San Francisco Museum of Modern Art, San Francisco, CA; Santa Barbara Contemporary Arts Forum (cat.) | |
| 1990 | Omnia ad Majorem Dei Gloriam, curated by Peter Wright, Grace Cathedral, San Francisco |
| Improvements on the Ordinary, curated by Dan Peterman, Randolph Street, Chicago | |
| Luhring Augustine Hetzler, Santa Monica | |
| New Sculpture (with Craig Watson), Terrain Gallery, San Francisco | |
| 1989 | H20, curated by Thomas Solomon, Beverly Hills |
| 1987 | Graduate Group Show, Art Center College of Design, Pasadena |