| 2011 |
Turner Prize 2011, BALTIC Centre for Contemporary Art, Gateshead |
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D’Un Autre Monde, Le Printemps de Septembre. Festival de creation contemporaine, Toulouse |
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Pour un art pauvre (inventaire du monde et de l’atelier), Carré d'Art - Musée d'art contemporain de Nîmes, Nîmes |
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Frauenzimmer, Museum Schloss Morsbroich, Leverkusen |
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Flaca (curated by Tom Humphreys), Portikus, Frankfurt |
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Tableaux. Principe d’incertitude, Magasin - Centre National d’Art Contemporain de Grenoble, Grenoble |
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Watercolour, Tate Britain, London |
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Essential Art, Collezione Maramotti, Reggio Emilia; Frankfurter Kunstverein, Frankfurt |
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Radical Autonomy, Netwerk, Aalst, Belgium |
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Structure and Material, Longside Gallery, West Yorkshire; The New Art Gallery, Walsall, Walsall |
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British Art Show 7, Hayward gallery, London; Centre for Contemporary Arts, Glasgow, Peninsula Art Gallery, Plymouth |
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All of this and nothing, 6th Hammer Invitational (curated by Douglas Fogle and Anne Ellegood), Hammer Museum, Los Angeles |
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Nouvelles Collections IV, CentrePasquArt Kunsthaus Centre d’art Seevorstadt, Biel/Bienne |
| 2010 |
Neue Alchemie. Kunst der Gegenwart nach Beuys, Landesmuseum Muenster, Muenster |
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British Art Show 7, Nottingham |
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Neugierig?, Bundeskunsthalle, Bonn |
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Group show, Andrea Rosen, New York |
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Profusion, Calke Abbey, Derbyshire |
| 2009 |
Material Intelligence, Kettle’s Yard, Cambridge (touring to Huddersfield Art Gallery, Huddersfield |
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Reduction & Suspense, Magazin 4, Bregenz |
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Black Hole (curated by Dr. Friederike Nymphius), CCA Andratx, Mallorca, Spain |
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Nothing to say and I am saying it, Kunstverein Freiburg, Freiburg |
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Don’t Expect Anythng, Galleria Francesca Minini, Mailand |
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Contemporary Scottish Art: New Acquistitions & Loans, Scottish National Gallery of Modern Art, Edinburgh |
| 2008 |
Brussels Biennal for contemporary art, Brussels |
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Galerie Thaddaeus Ropac (curated by Heike Munder), Salzburg |
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Stuart Shave/Modern Art, London |
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Wollust, Columbus Art Foundation in Halle 14, Leipzig |
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Strange Solution, Art Now, Tate Britain, London |
| 2007 |
Ultramoderne, Hall Paul Wurth, Luxembourg; La Passerelle, Brest |
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What remains. Quello che resta, Lambretto Art Project, Milan |
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Poor Thing, Kunsthalle Basel (curated by Simone Neuenschwander) |
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Special Presentation, Broadway 1602, New York |
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Untitled - Works on Paper, Art:Concept, Paris |
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Planting the tele, Mary Mary, Glasgow (curated by Hayley Tompkins) |
| 2006 |
Karla Black / Sally Osborn / Sue Tompkins, Flaca, London |
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Karla Black / Dean Hughes / Duncan Marquiss /Jonathan Owen / Hanneline Visnes, Doggerfisher, Edinburgh |
| 2005 |
Pilot 2, London |
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Like It Matters, CCA, Glasgow |
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Exile, New York is a Good Hotel, Broadway 1602, New York |
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Not Yet Night, Studio Voltaire, London |
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Karla Black / Babak Ghazi, S1 Artspace, Sheffield |
| 2004 |
Spacemakers, Lothringer Dreizehn, Munich |
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MFA Degree show, Tramway, Glasgow |
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Rheinschau Art Projects, Cologne (with Transmission) |
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Synth, Kunstraum B/2, Leipzig |
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Cheyney Thompson / Karla Black, Transmission Gallery, Glasgow |
| 2003 |
Pallas, The Changing Room Gallery, Stirling |
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East International, Norwich Gallery, Norwich School of Art & Design (curated by Toby Webster & Eva Rothschild) |
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An American Conversation (with Alex Frost), Cooper Gallery, Duncan of Jordanstone College of Art & Design, Dundee |
| 2002 |
The Châteaux, Switchspace, Glasgow |
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Half the World Away, Hallwalls Contemporary Arts Center, Buffalo, New York |
| 2001 |
Man Dancing, Intermedia Gallery, Glasgow |
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October: Contemporary Art in St. Vincent Street, Glasgow (curated by Karla Black & Katie Exley) |
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Hi-Civics, Market Gallery, Glasgow |
| 2000 |
Louder than Love, De Zeyp, Brussels |
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Someone, Somewhere, Glasgow Project Room, Glasgow |
