born 1973
lives and works in New York City
| 2011 | Seth Price. Miam! Galerie Chantal Crousel, Paris |
| Seth Price, Friedrich Petzel Gallery, New York | |
| 2010 | Seth Price. Die Nuller Jahre, Capitain Petzel, Berlin & Isabella Bortolozzi, Berlin |
| Seth Price / Kelley Walker / Continuous Projekt, Modern Art Oxford, Oxford | |
| 2009 | Seth Price, MAMbo, Museo d'Arte Moderna di Bologna |
| Seth Price, Reena Spaulings, New York | |
| 2008 | Kölnischer Kunstverein, Köln Seth Price, Kunsthalle Zürich, Zurich Friedrich Petzel Gallery, New York |
| 2007 | Tricks, Galerie Gisela Capitain, Cologne |
| 2006 | EAI/Friedrich Petzel/Reena Spaulings Fine Art, New York |
| Galerie Isabella Bortollozi, Berlin | |
| 2004 | Seth Price, Reena Spaulings Fine Art, New York |
| 2003 | In Light, Art Gallery of Ontario |
| Playground, Galleria Emi Fontana, Milan (with Michael Smith) | |
| 2002 | Project Room, Artists Space, New York |
| Playground, CAN, Neuchatel (with Michael Smith) | |
| 2011 | ILLUMinazioni, 54th Venice Biennale, Venice |
| François Aubart & Camille Pageard : Louie, Louie, Cneai de Paris, Paris | |
| Still Life, Lismore Castle Arts, County Waterford, Ireland | |
| After images, Musee Juif de Belgique, Brussels | |
| Abstract Possible, Museo Rufino Tamayo, Bosque de Chapultepec, Mexico City | |
| Keeping it Real: Current Disturbance, Whitechapel Gallery, London | |
| 2010 | La Regle du jeu, Galerie Crousel, Paris |
| Sgrafo vs Fat Lava, Centre d’édition contemporaine, Geneva | |
| De La Cruz Collection Contemporary Art Space, Miami | |
| Systematic, Zabludowicz Collection Art gallery and Cafe, London | |
| Permanent Mimesis, GAM – Civic Gallery of Modern and Contemporary Art, Turin | |
| Eight Gwangju Biennale, Gwangju, South Korea | |
| Centro Andaluz de Arte Contemporaneo – CAAC, Sevilla | |
| Cose mai viste, Rome: the road to contemporary art, Santa Spirito, Sassia | |
| If my soul had a shape, Paula Cooper Gallery, New York | |
| Destruction, Negation, Substraction, Dissolution, Kantor Gallery, Los Angeles | |
| Keeping it Real, Whitechapel Gallery, London | |
| Neugierig?, Bundeskunsthalle, Bonn | |
| Vertically Integrated Manufacturing, Murray Guy, New York | |
| 2009 | Top 10 Allegories (curated by Hard Hat), Galerie Francesca Pia, Zurich |
| The Malady of Writing. A project on text and speculative imagination, MACBA Study Centre, Barcelona | |
| The Avantgarde: Depression, Marres, Maastricht | |
| Dead air, FRAC - Collection Aquitaine, Bordeaux | |
| Altermodern, Tate Triennal 2009, Tate Britain, London | |
| Bijoux de famille, Galerie Chantal Crousel, Paris | |
| 2008 | Meet me around the Corner – works from the Astrup Collection, Astrup Fearnley Museum of Modern Art, Oslo Blasted Allegories, Kunstmuseum Luzern, Switzerland Records Played Baxkwards, The Modern Institute, Glasgow Whitney Biennial, New York |
| 2007 | For the people of Paris, Sutton Lane, Paris. |
| Her(his)tory, Museum of Cycladic Art, Athens | |
| Internationale Kurzfilmtage, Oberhausen | |
| LyonBiennial, Lyon | |
| Museum of Modern Art of Bologna, Bologna | |
| Seth Price/Kelley Walker/Continuous Project, Museum of Modern Art, Oxford | |
| Collaborative performance and video project with Kelley Walker, The Kitchen, New York | |
| 2006 | Continuous Project #9, 2006, MUMOK Factory und Tanzquartier Wien, 2006. |
| Continuous Project #8, 548 West 22nd street, New York. | |
| Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Kunsthalle Zurich | |
| Grey Flags, Sculpture Center, New York | |
| Motore Immobile, Greene Naftali, New York | |
| The Dimes of March, Reena Spaulings, New York | |
| Take it to the Net, Vilma Gold, London | |
| All Dressed Up With Nowhere to Go, Sorcha Dallas, Glasgow | |
| The Glass Bead Game, Vilma Gold, Berlin | |
| Interface in Your Face, The Swiss Institute, New York | |
| 2005 | After the Act, Modern Art Stiftung Ludwig, Vienna |
| Carol Bove, Adam McEwen, Seth Price, United Artists Unltd., Marfa, Texas | |
| Grey Flags, Friedrich Petzel, New York | |
| New York Twice, Air de Paris, Paris | |
| Make It Now, The Sculpture Center, New York | |
| Group Show, organized by Joan Jonas, Le Plateau, Paris | |
| Packaging, Forde, Geneva | |
| This is Not an Archive, The Center for Curatorial Studies, New York | |
| Lesser New York, Fia Backstrom Productions, New York | |
| Greater New York, PS1, New York | |
| 2004 | Mai Thu Perret & Seth Price, Year, New York. Organized by Wade Guyton |
| Chosen Places, curated by Erzen Shkololli, National Gallery of Arts, Tirana | |
| Continuous Project and Art & Project Bulletin, CNEAI, Paris | |
| Last One On Is A Soft Jimmy, Paula Cooper Gallery, New York | |
| Autumn Catalogue: Leather Fringes, Kunsthalle Basel | |
| Archives Generations Upon, organized by Wade Guyton, Year, New York | |
| Notes on Renewed Appropriationisms, curated by Lauri Firstenberg, The Project, Los Angeles | |
| Mobilien, Galerie im Taxpalais, Innsbruck | |
| Black Friday: Exercises in Hermetics, Gallery Kamm, Berlin | |
| So Few the Opportunities, So Many the Mistakes, curated by Josh Smith, | |
| Champion Fine Arts, New York | |
| 2003 | In The Public Domain, Greene Naftali, New York |
| 25th Ljubljana Biennial of Graphic Arts, curated by Christophe Cherix, Ljubljana | |
| The Club in the Shadow, Kenny Schachter Contemporary, New York | |
| 2002 | Whitney Biennial, Whitney Museum of American Art, New York |
| Charley, PS1 Center for Contemporary Art, New York | |
| Dig, curated by Lauri Firstenberg, Artists Space, New York | |
| 2001 | Video Jam, Palm Beach Institute of Contemporary Art |
| Video Windows, Stefan Stux Gallery, New York |