born 1972, Hammond, Indiana
lives and works in New York City
1996 - 1998 Hunter College, New York City
1990 - 1995 BA, University of Tennessee, Knoxville
| 2009 | Museum Ludwig, Köln |
| 2008 | Frankfurter Kunstverein, Frankfurt Wade Guyton, Galerie Chantal Crousel, Paris Wade Guyton and Kelley Walker, MAMbo, Bologna |
| 2007 | Wade Guyton, Galerie Gisela Capitain, Cologne Friedrich Petzel Gallery New York Galerie Francesca Pia, Zurich Wade Guyton: Objects are much more familiar, Power House, Memphis |
| 2006 | Paintings, Westlondonprojects, London U Stencil, Hard Hat, Geneva Color, Power & Style, Friedrich Petzel Gallery, New York City Carpenter Center, Harvard University, Cambridge |
| 2005 | Gavlak, West Palm Beach Color, Power & Style, Kunstverein Hamburg Galerie Francesca Pia, Bern Art 36 Statements, Galerie Francesca Pia, Basel The Failever of Judgement, Part III, Guyton\Walker collaboration, Greene Naftali Gallery, New York City |
| 2004 | Objects are Much More Familiar, Power House, Memphis, TN The Failever of Judgement, Guyton\Walker collaboration, presented by Greene Naftali, Rheinschau, Cologne XXXXX BBB XXXXXFFFFFF FFFF, Guyton\Walker collaboration, Midway Contemporary, St. Paul, MN |
| 2003 | Elements of an Incomplete Map, Artists Space, New York City |
| 1999 | Andrew Kreps Gallery Project Space, New York City |
| 1998 | MFA exhibition, Hunter College, New York City |
| 2008 | Not So Subtle Subtitle, Casey Caplan, New York Blasted Allegories, Kunstmuseum Luzern, Switzerland Oranges and Sardines: Conversation on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl and Christopher Wool, Hammer Museum, Los Angeles Zuordnungsprobleme, Johannes König, Berlin Records Played Baxkwards, The Modern Institute, Glasgow |
| 2007 | Degree Zero, Richard Telles Fine Art, Los Angeles DUMP, Postmodern Sculpture in the dissolved field, Nasjonalmuseet for Kunst, Arktitektur og Design, Oslo For the people of Paris, Sutton Lane, Paris The Lath Picture Show, Friedrich Petzel Gallery, New York Very abstract and hyper figurative, Thomas Dane Gallery, London Dump, Nationalmuseet, Oslo |
| 2006 | Continuous Project #9, 2006, MUMOK Factory und Tanzquartier Wien, Vienna Continuous Project #8, 548 West 22nd street, New York. Tbilisi 3. Let´s stay alive till monday, Children National Gallery, Tbilisi Uncertain States of America, Guyton/Walker, Astrup Fearnley Museum of Modern Art, Oslo, Serpentine Gallery, London Home of the Free, Hyde Park Art Center, Chicago Pose and Sculpture, Casey Kaplan, New York An Ongoing Low-Grade Mystery, organized by Bob Nickas, Paula Cooper Gallery, New York Ordnung und Verführung, Haus Konstruktiv, Zurich Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Kunsthalle Zurich Delete/How to Make a Perfect Ghost, Anton Kern Gallery, New York Imagination Become Reality IV, Sammlung Goetz, Munich United Artists, Ltd., Marfa |
| 2005 | Uncertain States of America, Astrup Fearnley Musset for Moderne Kunst, Olso, Norway Guyton / Martin / Weber, Kunstverein, Hamburg Unburied/Reburied, Kunstbunker, Nürnberg Make It Now: New Sculpture in New York, SculptureCenter, New York Grey Flags, Friedrich Petzel Gallery, New York Greater New York, P.S. 1-MOMA, Long Island City New York Twice, Air de Paris, Paris Tête à Tête, Greenberg van Doren Gallery, New York Die Gute Form, curated by Gerold Miller, Mehdi Chouakri Galerie, Berlin Dead/Undead, curated by Hans-Jürgen Hafner, Galerie Six Friedrich Lisa Ungar, Munich Principles of Construction, curated by Friederike Nymphius, Kunsthalle Andratx, Mallorca Meet me at the Corner, Fortescue Avenue / Jonathan Viner, London |
| 2004 | Last one on is a soft Jimmy, Paula Cooper Gallery, New York City Formalismus. moderne kunst, heute, Kunstverein, Hamburg Real World: The Dissolving Space of Experience, curated by Suzanne Cotter, Modern Art Museum, Oxford Whitney Biennial, Whitney Museum of American Art, New York City Tuesday is Gone, curated by Daniel Baumann, Karvasla, Tbilisi The Age of Optimism, curated by Fabrice Stroun, Galerie Peter Kilchmann, Zurich Circa Circe, curated by Julien Fronsacq, Forde espace d’art contemporain, Genf 2004 Summer program, curated by Cay-Sophie Rabinowitz, apexart, New York City Unplugged Architecture, curated by Max Henry, Frederieke Taylor Gallery, New York City Notes on Renewed Appropriationisms, curated by Lauri Firstenberg, The Project, Los Angeles |
| 2003 | Junge Szene, (Form, Kontext, Troja), curated by Daniel Baumann, Secession, Vienna Le Rayon Noir, curated by Fabrice Stroun and Mai-Thu Perret, Circuit, Lausanne In the Public Domain, Greene Naftali, New York City All that was not then, Year, New York City Corporate Profits vs. Labor Costs, D’Amelio Terras, New York City High Desert Test Sites #2, Joshua Tree, CA Snowblind, (with Mungo Thomson and Matthew Brannon), John Connelly Presents, New York City 88.7 89.3 103.9 (with Kelley Walker and Seth Price), Brooklyn, NY Welcome Home, Gavin Brown’s enterprise, New York City |
| 2002 | Building Structures, PS1, Long Island City Brewster Project, curated by Mari Spirito, Brewster NY Second Sight: Hunter College MFA Alumni Exhibition 1991 – 2001, Hunter College Time Square Gallery, NY Lucky DeBellevue, Wade Guyton, Richard Hawkins, Jeff Ono, PHIL, Los Angeles Retrofit, curated by Lauri Firstenberg, Lombard-Freid Gallery, New York City |
| 2001 | David Brody, Mark Grotjahn, Wade Guyton, Siobahn Liddell, Gorney, Bravin, + Lee, New York City The Love of Look, curated by Kirsty Bell, Kerstin Engholm Galerie, Vienna After the Diagram, curated by Lauri Firstenberg and Douglas Cooper, Whitebox, New York City Group Show (Spring 2001), curated by Michele Maccarone and Chivas Clem, The Fifth International, New York |
| 2000 | New York Projects, Delfina, London 21st Century Group Show… or it's only just begun, Gavin Brown’s enterprise, New York Kosmobiologie, curated by Nancy Chaikin, Bellwether, Brooklyn |
| 1999 | Answer Yes, No, or Don’t Know – Quadrants, curated by Ricci Albenda, Andrew Kreps Gallery, New York A Radiant Future, (with Lothar Hempel, Simon Periton, Daniel Roth, Richard Wright) Forde, Geneva |
| 1998 | Sacrifizzio dell’ intelletto 5.0, (with Omer Fast, Andrew Mount, James Dawson-Hollis), 289 Hudson, NY |
| 1997 | Cambio, curated by Kenny Schachter, New York City |